The Atomos Sumo 19 was used to monitor each scene and Charters, who already uses Atomos recorders extensively on his productions, was enthusiastic about its capabilities.

24 DOP uses new Atomos Sumo 19 monitor recorder to film YouTube star

Hollywood director of photography Rodney Charters ASC has been one of the first to use the new Atomos Sumo 19 production monitor and recorder.

The Sumo is the first of a new line of products from Atomos.

“We specifically set out to meet the changing needs of cinematographers like Rodney Charters who require the flexibility to monitor, record and review many different types of cameras all in one package,” said Atomos CEO Jeromy Young.

Charters, best known for his work on landmark US TV series 24, has teamed up with YouTube star Kaiman Wong to shoot a comedy episode for the star’s hugely popular channel.

The duo teamed up in London and shot with fashion model Maria Sergejeva in a variety of situations over the course of two days. The video starts with Wong photographing Maria, but soon the roles are reversed and Kai dons a dress to model for Maria. The results will soon be seen on Wong’s own YouTube channel.

The Atomos Sumo 19 was used to monitor each scene and Charters, who already uses Atomos recorders extensively on his productions, was enthusiastic about its capabilities.

Like many DoPs, Charters need to work with different cameras. For this shoot, he used his camera of choice, the ARRI Alexa, although he has shot with other brands and sometimes smaller cameras such as the Panasonic GH5.

The Sumo is compatible with most cameras used in filming today. The new monitor can also record for immediate review on-set, or create video files that can be handed off to directors and producers. The Sumo can handle single, dual and quad link SDI connections, as well as a single HDMI input.

Charters was also able to utilise the Sumo’s 1200nit high brightness screen to work outside in daylight. He used the Sumo’s AtomHDR function to accurately gauge exposure on-set and have the knowledge that the images could be correctly graded in post production. Look up tables (LUTs) were also loaded into the Sumo’s internal memory to allow for rapid preview of various creative ‘looks’ which can be achieved easily in post production.

The Sumo was subjected to the rigours of on-set use and Charters was impressed with the ergonomics, build quality and ease of use. The whole unit is designed for simplicity and is controlled via touchscreen.

The Sumo 19 is shipping now worldwide.

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