Post Production
-
May 28, 2018
AJA’s KONA accelerates productivity in multi-format environments
AJA Video Systems will be showcasing the KONA series of capture cards, including KONA HDMI, an eight-lane PCIe 2.0 multi-channel…
Read More » -
May 17, 2018
Grass Valley releases Edius 9.2
The latest 9.2 version of Grass Valley’s Edius non-linear editing software includes support for enhanced high dynamic range (HDR) editing…
Read More » -
May 11, 2018
Baselight prepares Donbass for Cannes
In facing a tight timescale, the Donbass team utilised Filmlight’s Baselight grading suite to retain the film’s creative control over…
Read More » -
April 9, 2018
NewTek brings new approach to real-time motion graphics creation
LiveGraphics allows broadcasters to go directly to air with 10 channels of real-time animated graphics NewTek has introduced LiveGraphics, which…
Read More » -
March 19, 2018
EditShare enhances workflow efficiency for Element
To better manage its growing business workload, the Dublin-based post-production house has installed a series of EditShare’s solutions, such as…
Read More » -
February 1, 2018
AJA releases enhanced software for FS-HDR
Colour correction, colour saturation and support for wider camera formats are some of the new features packed in the new…
Read More » -
January 10, 2018
Mediacorp ushers in next-gen viewers with VR
The launch of the VR Incubation Programme will equip Mediacorp staff with VR knowledge, from content creation to post production…
Read More » -
January 9, 2018
Outstanding 4K/UHD broadcasting requires 4K/UHD-enabled KVM system
There is no denying the popularity of 4K/Ultra HD (UHD) technology. Although consumer access to 4K/UHD content is still limited…
Read More » -
January 4, 2018
Valossa teams up with Accurate Player to accelerate metadata solutions for media industry
Combining Valossa’s AI technology with Accurate Player’s HTML5 QC player, operators will be able to better manage post-production workflows and…
Read More »