Post Production
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May 28, 2018
Sennheiser and partners resolve complex RF challenges
The demands on audio professionals are constantly evolving, bringing forth more channels, bigger stages and more complex radio frequency (RF)…
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May 28, 2018
AJA’s KONA accelerates productivity in multi-format environments
AJA Video Systems will be showcasing the KONA series of capture cards, including KONA HDMI, an eight-lane PCIe 2.0 multi-channel…
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May 17, 2018
Grass Valley releases Edius 9.2
The latest 9.2 version of Grass Valley’s Edius non-linear editing software includes support for enhanced high dynamic range (HDR) editing…
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May 11, 2018
Baselight prepares Donbass for Cannes
In facing a tight timescale, the Donbass team utilised Filmlight’s Baselight grading suite to retain the film’s creative control over…
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April 9, 2018
NewTek brings new approach to real-time motion graphics creation
LiveGraphics allows broadcasters to go directly to air with 10 channels of real-time animated graphics NewTek has introduced LiveGraphics, which…
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March 19, 2018
EditShare enhances workflow efficiency for Element
To better manage its growing business workload, the Dublin-based post-production house has installed a series of EditShare’s solutions, such as…
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February 1, 2018
AJA releases enhanced software for FS-HDR
Colour correction, colour saturation and support for wider camera formats are some of the new features packed in the new…
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January 10, 2018
Mediacorp ushers in next-gen viewers with VR
The launch of the VR Incubation Programme will equip Mediacorp staff with VR knowledge, from content creation to post production…
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January 9, 2018
Outstanding 4K/UHD broadcasting requires 4K/UHD-enabled KVM system
There is no denying the popularity of 4K/Ultra HD (UHD) technology. Although consumer access to 4K/UHD content is still limited…
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